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                <text>The Strangford Apollo</text>
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                <text>The Strangford Apollo&#13;
&#13;
Greek, about 500-490 BC&#13;
Said to be from the island of Anáfi, Cyclades, Aegean Sea&#13;
&#13;
Marble statue of a youth standing in the conventional pose of a kouros&#13;
&#13;
Kouros in Greek means simply 'youth'. It is a term used to describe a type of statue of a male figure produced in marble during the Archaic period of Greek art (about 600-480 BC). Such statues can be colossal (that is larger than life) or less than life size. They all have a conventional pose, where the head and body can be divided equally by a central line, and the legs are parted with the weight placed equally front and back.&#13;
&#13;
The mouth is invariably fixed in a smile, which is probably a symbolic expression of the arete ('excellence') of the person represented. It used to be thought that all kouroi were intended as representations of the god Apollo. However, although some may be intended as representations of gods or heroes, many were simply grave markers. The kouros was not intended as a realistic portrait of the deceased, but an idealized representation of values and virtues to which the dead laid claim: youthful beauty, athleticism and aristocratic bearing, among others.&#13;
&#13;
This less than life-sized statue (about 1 metre tall) was carved towards the end of the Archaic period, when the conventional smile was replaced by a solemn pout, the facial expression of classical sculpture. There is still a hint of a smile here, and this youth wears his hair long in the archaic manner, braided around the back and in a formal arrangement of curls at the front.&#13;
&#13;
The figure is known as the Strangford Apollo after a previous owner, the sixth Viscount Strangford.&#13;
&#13;
G.M.A. Richter, Kouroi: Archaic Greek youths, 3rd ed. (London and New York, Phaidon, 1970)&#13;
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                <text>Height: 101.000 cm</text>
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                <text>Lydian Electrum Coin</text>
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                <text>Early Coinage</text>
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                <text>Electrum coin minted in Lydia, 7th c. BCE.</text>
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                <text>Top:&#13;
Coin engraved by Euainetos, Sicily, Syracuse.  ca. 408-390 BCE. Decadrachm, &#13;
(obverse) Head of Persephone left, wearing earring and necklace; hair turned up and behind, arranged in wavy curls, and bound with a wreath of corn-leaves; beneath, traces of an inscription; four dolphins: border of dots.&#13;
(reverse) Quadriga left, driven by charioteer holding goad and reins; horses in high action; above, Nike flying right, about to crown the charioteer; in exergue, a ledge or step, on and against which is placed a suit of defensive armour, consisting of a helmet and shield, cuirass and greaves. Beneath, an inscription: border of dots.&#13;
&#13;
Bottom: &#13;
Coin engraved by Kimon in Sicily, Syracuse. 405-367 BC. AR Tetradrachm.&#13;
(obverse) Quadriga left, driven by charioteer, holding goad in right hand, reins in both, touching with goad the head of the third horse; horses prancing; above, Nike flying right, about to crown charitoeer; on line of exergue, inscription: plain border.&#13;
(reverse) Head of Arethusa, three-quarter-face left, wearing earring and necklace; hair flowing in loose tresses; across her forehead, ampyx with inscription; around, four dolphins, two on either side, swimming among the locks of hair: border of dots, lower half of which are double struck.</text>
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                <text>http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1126506&amp;partId=1&amp;searchText=euainetos+coin&amp;page=1&#13;
&#13;
http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1126575&amp;partId=1&amp;searchText=kimon+coin&amp;page=1</text>
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                <text>Silver denarius of Julius Caesar</text>
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                <text>One of the first coins depicting a living Roman, Julius Caesar</text>
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                <text>Rome, Italy. 44 BCE, silver denarius of Julius Caesar.(obverse) Wreathed head of Caesar right; behind, crescent and inscription; before, inscription. Border of dots.&#13;
(reverse) Venus standing left, holding Victory in right hand and sceptre in left hand; behind, inscription; before, inscription. Border of dots.</text>
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                <text>British Museum&#13;
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                <text>Coins of Augustus and Gallienus compared</text>
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                <text>Top: Lugdunum, Roman Empire, Silver denarius.(obverse) Head of Augustus, bare, right.&#13;
(reverse) Capricorn right, holding globe. ca. 12BCE&#13;
&#13;
Bottom: Eastern Roman Empire, Silver radiate.(obverse) Bust, radiate, draped and cuirassed.&#13;
(reverse) Personification of the Orient giving victor's wreath to emperor. ca. 255-256 CE.</text>
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&#13;
http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1152898&amp;partId=1&amp;searchText=coin,+gallienus&amp;images=true&amp;page=2</text>
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                <text>Map of Greek Coins</text>
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                <text>Bronze Figure of Athena</text>
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                <text>Culture/period&#13;
&#13;
    Classical Greek term details&#13;
&#13;
Date&#13;
&#13;
    480BC (circa)&#13;
&#13;
Findspot&#13;
&#13;
    Excavated/Findspot: Pyrgos (said to be from)&#13;
    (Europe,Greece,Boeotia,Tegyra)&#13;
&#13;
Materials&#13;
&#13;
    bronze term details&#13;
&#13;
Dimensions&#13;
&#13;
    Height: 12 centimetres (incl. base)&#13;
&#13;
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                <text>ca. 480 BCE</text>
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                <text>Three Graces compared to coin of Caracalla</text>
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                <text>Greek statues and coins</text>
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                <text>Large: The three Graces. Marble, Roman copy of the Imperial Era (2nd century CE?) after a Hellenistic original. Restored for a large part in 1609 by Nicolas Cordier (1565-1612) for Cardinal Borghese.&#13;
Small: Provincial coin of Caracalla, ca. 200 CE.</text>
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                <text>Wikimedia&#13;
http://commons.wikimedia.org/wiki/File:Three_Graces_Louvre_Ma287.jpg&#13;
Doug Smith</text>
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                <text>Department of Greek, Etruscan and Roman Antiquities, Sully, ground floor, room 17&#13;
Accession number 	Ma 287 (MR 211)</text>
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                <text>Athena Parthenos</text>
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                <text>Gods and Goddesses</text>
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                <text>Athena of the Parthenos Athena type. Pentelic marble, Greek copy from the 1st century BC after the original from the 5th century BC. Some 17th-century restorations: arms, ends of the belt, some folds of the peplos, aegis, tip of the nose.</text>
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                <text>National Museum of Rome- Palazzo Altemps, ground floor&#13;
Inv. 8622</text>
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                <text>1st c. BCE</text>
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                <text>Marie-Lan Nguyen / Wikimedia Commons (Public Domain)</text>
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        <src>http://library.willamette.edu/hfma/omeka/files/original/3e8f47f5a07050d41323bfb8c68ddc35.JPG</src>
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                <text>Arch of Titus</text>
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                <text>The Arch of Titus was erected by his brother Domitian in 82 CE to celebrate Titus' military victories in Jerusalem. It is just south-east of the Roman Forum in Rome.</text>
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                <text>http://en.wikipedia.org/wiki/File:Carrying_off_the_Menorah_from_the_Temple_in_Jerusalem_depicted_on_a_frieze_on_the_Arch_of_Titus_in_the_Forum_Romanum.JPG</text>
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                <text>82 CE</text>
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                <text>Laurel Lodged/ Wikimedia (Public Domain)</text>
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