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                  <text>Ancient Coins at the Hallie Ford Museum of Art</text>
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                  <text>Gifts of James and Aneta McIntyre&#13;
&#13;
Information about the coins was found in these resources:&#13;
&#13;
Cohen, Henry, René Cagnat, and James C. Egbert. Latin Epigraphy II: The Coin Inscriptions and Epigraphical Abbreviations of Imperial Rome. Chicago: Ares, 1978. Print.&#13;
&#13;
Hannestad, Niels. Roman Art and Imperial Policy. Århus C [Denmark: Aarhus UP, 1988. Print.&#13;
&#13;
Klawans, Zander H. An Outline of Ancient Greek Coins. Racine, WI: Whitman Pub., 1959. Print.&#13;
&#13;
Knorr, Ortwin. "Catalogue of the McIntyre Collection of Greek and Roman Coins." Classics: Ancient Coins in the HFMA. Willamette University, Hallie Ford Museum of Art, n.d. Web. 05 Aug. 2013. &lt;http://www.willamette.edu/cla/classics/resources/hfma/coins.html&gt;.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting II: Numismatic Art of the Greek World. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting III: The Roman World-politics and Propaganda. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sear, David R. Roman Coins and Their Values: The Millennium Edition. London: Spink, 2000. Print.&#13;
&#13;
Whitting, Philip D. Byzantine Coins. New York: Putnam, 1973. Print.</text>
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                  <text>A selection of these coins are on view in the Mark and Janeth Sponenburgh Gallery at Hallie Ford Museum of Art.  </text>
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                <text>Caracalla as Caesar, Silver Denarius.&#13;
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                <text>Caracalla, as Caesar, Silver Denarius. 196-197 CE. &#13;
OBVERSE: M AVR ANTONINVS CAES (Marcus Aurelius Antoninus Caesar), draped and cuirassed but right. &#13;
REVERSE: SECVRITAS PERPETVA (perpetual security), Minerva standing left with spear and leaning on shield. </text>
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                <text>&lt;p&gt;Caracalla was the son of Septimius Severus and the brother of Geta. His reign was a notorious one, as he was known as a harsh and paranoid person. He had his brother Geta murdered just before 212 CE, soon after the death of their father, and condemned Geta to a &lt;em&gt;damnatio memoriae&lt;/em&gt;, or an official erasure from memory. Geta’s face was literally removed from paintings, statues and other works of art erected by their father. This coin shows Caracalla as a boy and it was released under the reign of his father Septimius. The name Caracalla is only a nickname taken from a Gaul-style military cloak he favored wearing. His later appearance on coinage and relief is mean and intimidating, a far cry from this young promising youth.&lt;/p&gt;</text>
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                <text>Gift of James and Aneta McIntyre, Hallie Ford Museum of Art, Salem, OR. 2006.010.042</text>
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                <text>196-197 CE  </text>
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                <text>0.717 in&#13;
0.105 oz</text>
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                <text>This item can be viewed on Hallie Ford Museum of Art's website.</text>
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                  <text>Gifts of James and Aneta McIntyre&#13;
&#13;
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&#13;
Cohen, Henry, René Cagnat, and James C. Egbert. Latin Epigraphy II: The Coin Inscriptions and Epigraphical Abbreviations of Imperial Rome. Chicago: Ares, 1978. Print.&#13;
&#13;
Hannestad, Niels. Roman Art and Imperial Policy. Århus C [Denmark: Aarhus UP, 1988. Print.&#13;
&#13;
Klawans, Zander H. An Outline of Ancient Greek Coins. Racine, WI: Whitman Pub., 1959. Print.&#13;
&#13;
Knorr, Ortwin. "Catalogue of the McIntyre Collection of Greek and Roman Coins." Classics: Ancient Coins in the HFMA. Willamette University, Hallie Ford Museum of Art, n.d. Web. 05 Aug. 2013. &lt;http://www.willamette.edu/cla/classics/resources/hfma/coins.html&gt;.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting II: Numismatic Art of the Greek World. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting III: The Roman World-politics and Propaganda. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sear, David R. Roman Coins and Their Values: The Millennium Edition. London: Spink, 2000. Print.&#13;
&#13;
Whitting, Philip D. Byzantine Coins. New York: Putnam, 1973. Print.</text>
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                <text>Faustina the Younger, Bronze As</text>
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                <text>&lt;p&gt;Faustina the Younger, Bronze As. 125-175 CE. &lt;br /&gt; OBVERSE: FAVSTINA AVGVSTA (Faustina Augusta), draped bust right. &lt;br /&gt; REVERSE: VESTA S-C (Vesta, by decree of the senate), Vesta standing left, holding &lt;em&gt;simpulum&lt;/em&gt; and &lt;em&gt;palladium&lt;/em&gt;.&lt;/p&gt;</text>
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                <text>Faustina the Younger was the daughter of Antoninus Pius and the wife of Marcus Aurelius. She was not well regarded by historians like Cassius Dio; he claims she was licentious and unfaithful, but it seems that she and Marcus Aurelius may have had a good relationship. She stayed with him at military camps several times and even received the tile of &lt;em&gt;Mater Castrorum&lt;/em&gt; (mother of the camp). &lt;br /&gt;&lt;br /&gt; She died in 175 CE either on her way to or in the camp at Halala, located in modern-day Turkey. Her husband mourned her greatly and honored her by deifying her, by renaming Halala to Faustinopolis, and by opening a charity called Puellae Faustinianae, or “ The Girls of Faustina,” which helped young women. &lt;br /&gt;&lt;br /&gt;Vesta is here holding a &lt;em&gt;simpulum&lt;/em&gt;, a small ladle with a long handle used at sacrifices to make libations. The Palladium was a cult image, or statue, of &lt;em&gt;Pallas Athena &lt;/em&gt;or &lt;em&gt;Minerva&lt;/em&gt; which was used in ceremony. The Romans believed this statue, which was housed in the temple of Vesta, was rescued from the flames of Troy by Aeneas. The safety of the city depeneded on this statue. Both these items served to emphasize the piety shared by Vesta and Faustina.</text>
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                <text>Gift of James and Aneta McIntyre, Hallie Ford Museum of Art, Salem, OR. 2006.010.041</text>
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                <text>ca. 161-175 CE   </text>
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                <text>Hallie Ford Museum of Arts</text>
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                <text>1.125 in&#13;
0.440 oz</text>
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                <text>This item can be viewed on Hallie Ford Museum of Art's website.</text>
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                  <text>Gifts of James and Aneta McIntyre&#13;
&#13;
Information about the coins was found in these resources:&#13;
&#13;
Cohen, Henry, René Cagnat, and James C. Egbert. Latin Epigraphy II: The Coin Inscriptions and Epigraphical Abbreviations of Imperial Rome. Chicago: Ares, 1978. Print.&#13;
&#13;
Hannestad, Niels. Roman Art and Imperial Policy. Århus C [Denmark: Aarhus UP, 1988. Print.&#13;
&#13;
Klawans, Zander H. An Outline of Ancient Greek Coins. Racine, WI: Whitman Pub., 1959. Print.&#13;
&#13;
Knorr, Ortwin. "Catalogue of the McIntyre Collection of Greek and Roman Coins." Classics: Ancient Coins in the HFMA. Willamette University, Hallie Ford Museum of Art, n.d. Web. 05 Aug. 2013. &lt;http://www.willamette.edu/cla/classics/resources/hfma/coins.html&gt;.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting II: Numismatic Art of the Greek World. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting III: The Roman World-politics and Propaganda. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sear, David R. Roman Coins and Their Values: The Millennium Edition. London: Spink, 2000. Print.&#13;
&#13;
Whitting, Philip D. Byzantine Coins. New York: Putnam, 1973. Print.</text>
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                <text>Lucilla, Silver Denarius</text>
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                <text>Lucilla, Silver Denarius, Rome 149 –182 CE&#13;
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REVERSE: VENVS S-C (Venus, by decree of the senate), Venus standing right, holding apple.</text>
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                <text>Lucilla was the daughter of Marcus Aurelius and the wife of his co-ruler, Lucius Verus. She happily fulfilled her role of empress until her husband’s death in 169 CE. She was then married to Claudius Pompeianus, a powerful Roman senator. Cassius Dio (Hist. 73.4) accuses her of a plot to kill Commodus, her unstable brother. As a result, Commodus put both her and her husband to death in 182 CE. &#13;
&#13;
Venus was a common deity for Roman women to use to express their ability to be good wives and mothers. Bearing a good son was a high honor and Venus is a symbol of both beauty and fertility; two necessary aspects to bear honorable children.</text>
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                <text>Gift of James and Aneta McIntyre, Hallie Ford Museum of Art, Salem, OR. 2006.010.040</text>
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                <text>ca. 149 –182 CE</text>
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                <text>1.078 in&#13;
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                <text>This item can be viewed on Hallie Ford Museum of Art's website.</text>
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                  <text>Gifts of James and Aneta McIntyre&#13;
&#13;
Information about the coins was found in these resources:&#13;
&#13;
Cohen, Henry, René Cagnat, and James C. Egbert. Latin Epigraphy II: The Coin Inscriptions and Epigraphical Abbreviations of Imperial Rome. Chicago: Ares, 1978. Print.&#13;
&#13;
Hannestad, Niels. Roman Art and Imperial Policy. Århus C [Denmark: Aarhus UP, 1988. Print.&#13;
&#13;
Klawans, Zander H. An Outline of Ancient Greek Coins. Racine, WI: Whitman Pub., 1959. Print.&#13;
&#13;
Knorr, Ortwin. "Catalogue of the McIntyre Collection of Greek and Roman Coins." Classics: Ancient Coins in the HFMA. Willamette University, Hallie Ford Museum of Art, n.d. Web. 05 Aug. 2013. &lt;http://www.willamette.edu/cla/classics/resources/hfma/coins.html&gt;.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting II: Numismatic Art of the Greek World. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting III: The Roman World-politics and Propaganda. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sear, David R. Roman Coins and Their Values: The Millennium Edition. London: Spink, 2000. Print.&#13;
&#13;
Whitting, Philip D. Byzantine Coins. New York: Putnam, 1973. Print.</text>
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                  <text>A selection of these coins are on view in the Mark and Janeth Sponenburgh Gallery at Hallie Ford Museum of Art.  </text>
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                <text>Septimius Severus, Silver Denarius</text>
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                <text>Septimius Severus (193 -211 CE) Silver Denarius. Emesa Mint, 194-195 CE.&#13;
OBVERSE: IMP CAE L SEP SEV PERT AVG COS II (Imperator Caesar Lucius Septimius Severus Pertinax Augustus, consul for the 2nd time), laureate head right &#13;
REVERSE: VICT AVG (Victory of Augustus), Victory walking left holding wreath and palm.&#13;
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                <text>Septimius Severus came into power much the same way Vespasian did 100 years before him. Following the quick succession of four other emperors in the same year, Septimius came into power in 193 CE. He secured his place using his military prowess and by replacing the highly corrupt Praetorian Guard, which has sold the previous position of emperor to the highest bidder, the not so lucky winner being Didius Julianus. &#13;
&#13;
The Severan reign was one of the first to see serious debasement of its silver coinage. The silver content, which started to fall under the Antonine dynasty, continued to fall, finishing at just 50% silver. The gold aureus had still not been tampered with, but the rarity of gold coinage in general basically made it a moot point. Much of the Severan coinage contained military epithets and themes, appealing to the legions under their control. This coin, featuring Victory, represents the military successes of the emperor.</text>
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                <text>Gift of James and Aneta McIntyre, Hallie Ford Museum of Art, Salem, OR. 2006.010.039&#13;
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                <text>Hallie Ford Museum of Arts</text>
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0.115 oz</text>
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                <text>This item is on view at Hallie Ford Museum of Art, in the Mark and Janeth Sponenburgh Gallery.</text>
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                  <text>Gifts of James and Aneta McIntyre&#13;
&#13;
Information about the coins was found in these resources:&#13;
&#13;
Cohen, Henry, René Cagnat, and James C. Egbert. Latin Epigraphy II: The Coin Inscriptions and Epigraphical Abbreviations of Imperial Rome. Chicago: Ares, 1978. Print.&#13;
&#13;
Hannestad, Niels. Roman Art and Imperial Policy. Århus C [Denmark: Aarhus UP, 1988. Print.&#13;
&#13;
Klawans, Zander H. An Outline of Ancient Greek Coins. Racine, WI: Whitman Pub., 1959. Print.&#13;
&#13;
Knorr, Ortwin. "Catalogue of the McIntyre Collection of Greek and Roman Coins." Classics: Ancient Coins in the HFMA. Willamette University, Hallie Ford Museum of Art, n.d. Web. 05 Aug. 2013. &lt;http://www.willamette.edu/cla/classics/resources/hfma/coins.html&gt;.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting II: Numismatic Art of the Greek World. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting III: The Roman World-politics and Propaganda. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sear, David R. Roman Coins and Their Values: The Millennium Edition. London: Spink, 2000. Print.&#13;
&#13;
Whitting, Philip D. Byzantine Coins. New York: Putnam, 1973. Print.</text>
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                <text>Marcus Aurelius, Bronze As</text>
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                <text>Marcus Aurelius (161 -180 CE).  Bronze As, 165-166 CE.&#13;
OBVERSE: M ANTONINVS AVG ARMENIACVS (Marcus Antoninus Augustus Armeniacus) Laureate head right. &#13;
REVERSE: TR P XX IMP III COS III S-C (tribunician power for the 10th time, imperator for the 3rd time, consul for the 3rd time, by the decree of the sentate).  Roma seated left, holding Victory with a shield at her side. </text>
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                <text>&lt;p&gt;Marcus Aurelius took control of the Roman Empire after the death of Antoninus Pius in conjunction with his brother Lucius Verus in 161 CE. Though Lucius was never as important as Marcus Aurelius, they ruled in peace together until Lucius’ premature death in 169 CE. One of the largest events during their combined reign was the war with the Parthians. Starting in 161 CE, the war dragged on until 166 CE when the Parthians were finally subdued. Further expansion may have been planned but a plague swept across the army and the rest of Empire, putting a halt on any plans that may have existed. This coin was minted during the climax of the war, around 166 CE; Roma on the reverse represents the pride and power of the Roman people. &lt;br /&gt;&lt;br /&gt; Marcus Aurelius is also known as one of the most important Stoic philosophers. In a set of personal writings, now entitled &lt;em&gt;Meditations&lt;/em&gt;, written in Greek, he penned his thoughts on the nature of Stoicism and himself. It the only self-reflective memoir of a Roman emperor and offers a unique view into this time period.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Armeniacus &lt;/em&gt;refers to the conquest of Armenia in 163-165 CE. &lt;/p&gt;</text>
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                <text>Gift of James and Aneta McIntyre, Hallie Ford Museum of Art, Salem, OR. 2006.010.038&#13;
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                <text>ca. 164-166 CE</text>
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                <text>Hallie Ford Museum of Arts</text>
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                <text>1.018 in&#13;
0.405 oz</text>
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&#13;
Information about the coins was found in these resources:&#13;
&#13;
Cohen, Henry, René Cagnat, and James C. Egbert. Latin Epigraphy II: The Coin Inscriptions and Epigraphical Abbreviations of Imperial Rome. Chicago: Ares, 1978. Print.&#13;
&#13;
Hannestad, Niels. Roman Art and Imperial Policy. Århus C [Denmark: Aarhus UP, 1988. Print.&#13;
&#13;
Klawans, Zander H. An Outline of Ancient Greek Coins. Racine, WI: Whitman Pub., 1959. Print.&#13;
&#13;
Knorr, Ortwin. "Catalogue of the McIntyre Collection of Greek and Roman Coins." Classics: Ancient Coins in the HFMA. Willamette University, Hallie Ford Museum of Art, n.d. Web. 05 Aug. 2013. &lt;http://www.willamette.edu/cla/classics/resources/hfma/coins.html&gt;.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting II: Numismatic Art of the Greek World. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting III: The Roman World-politics and Propaganda. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sear, David R. Roman Coins and Their Values: The Millennium Edition. London: Spink, 2000. Print.&#13;
&#13;
Whitting, Philip D. Byzantine Coins. New York: Putnam, 1973. Print.</text>
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              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="5524">
                  <text>Hallie Ford Museum of Art</text>
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                <elementText elementTextId="5526">
                  <text>A selection of these coins are on view in the Mark and Janeth Sponenburgh Gallery at Hallie Ford Museum of Art.  </text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Trajan, Silver Denarius</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>&lt;p&gt;Trajan, Silver Denarius, 98 -117 CE.&lt;br /&gt;OBVERSE: IMP CAES NERVA TRAIAN AVG GERM (Imperator Caesar Nerva Trajan Augustus Germanicus), laureate head right.&lt;/p&gt;
&lt;p&gt;REVERSE: PM TR POT COS IIII PP (Pontifex Maximus, tribunician power, Consul for the 4&lt;sup&gt;th&lt;/sup&gt; time, pater patriae), Herakles facing right standing facing on altar, holding club and lion skin. &lt;/p&gt;</text>
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                <text>Trajan, a very successful and well-remembered emperor, was one of the first emperors to engrave his coins with Herakles, a very famous Greek hero who often appeared on the coins of Greek rulers like the Macedonian king Alexander the Great. It has been argued that Trajan was, in fact, trying to emulate the expansion and military success of Alexander the Great. &#13;
Herakles is shown here after one of his most famous labors: the defeat of the Nemean lion. </text>
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                <text>Gift of James and Aneta McIntyre, Hallie Ford Museum of Art, Salem, OR. 2006.010.037</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>ca. 98-117 CE</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5232">
                <text>Hallie Ford Museum of Arts</text>
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          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="5233">
                <text>0.769 in &#13;
0.105 oz</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="5234">
                <text>Latin</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="5235">
                <text>Coin</text>
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          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="5236">
                <text>This item can be viewed on Hallie Ford Museum of Art's website.</text>
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                  <text>Ancient Coins at the Hallie Ford Museum of Art</text>
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                  <text>The entire collection of coins found at Hallie Ford Museum of Arts.</text>
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                  <text>A guide to the ancient coins collection at the Hallie Ford Museum of Art.    </text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
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                <elementText elementTextId="5522">
                  <text>Gifts of James and Aneta McIntyre&#13;
&#13;
Information about the coins was found in these resources:&#13;
&#13;
Cohen, Henry, René Cagnat, and James C. Egbert. Latin Epigraphy II: The Coin Inscriptions and Epigraphical Abbreviations of Imperial Rome. Chicago: Ares, 1978. Print.&#13;
&#13;
Hannestad, Niels. Roman Art and Imperial Policy. Århus C [Denmark: Aarhus UP, 1988. Print.&#13;
&#13;
Klawans, Zander H. An Outline of Ancient Greek Coins. Racine, WI: Whitman Pub., 1959. Print.&#13;
&#13;
Knorr, Ortwin. "Catalogue of the McIntyre Collection of Greek and Roman Coins." Classics: Ancient Coins in the HFMA. Willamette University, Hallie Ford Museum of Art, n.d. Web. 05 Aug. 2013. &lt;http://www.willamette.edu/cla/classics/resources/hfma/coins.html&gt;.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting II: Numismatic Art of the Greek World. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting III: The Roman World-politics and Propaganda. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sear, David R. Roman Coins and Their Values: The Millennium Edition. London: Spink, 2000. Print.&#13;
&#13;
Whitting, Philip D. Byzantine Coins. New York: Putnam, 1973. Print.</text>
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                  <text>Early Greek- Medieval</text>
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            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5524">
                  <text>Hallie Ford Museum of Art</text>
                </elementText>
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              <description>The nature or genre of the resource</description>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <elementText elementTextId="5526">
                  <text>A selection of these coins are on view in the Mark and Janeth Sponenburgh Gallery at Hallie Ford Museum of Art.  </text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="4291">
                <text>Claudius II Gothicus, Bronze Antoninianus&#13;
&#13;
</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="4292">
                <text>Claudius II (Gothicus). Bronze Antoninianus. Siscia mint, 268-270 CE.&#13;
OBVERSE: IMP CLAVDIVS P F AVG (Imperator Claudius Pius Felix Augustus), Claudius II Gothicus radiate, draped bust right. &#13;
REVERSE: SPES PVBLICA (hope, people), Spes walking left, holding flower and raising robe, P, the mint mark, in exergue.&#13;
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4293">
                <text>Claudius II Gothicus was part of a long line of emperors to take control through military power. In the fifty years after the death of the last member of the Severan dynasty in 235 CE until Diocletian came into power in 284 CE, there was no order to the succession of emperors. It was simply who had the most military sway and there were almost as many emperors as there were years. Some are only known by the coins they minted as historical writing of this period is incomplete and limited.&#13;
&#13;
We do know that Claudius II Gothicus earned his name from defeating the invading Gothic Alamanni along the banks of Lake Garda in November 268 CE. Unusually for an emperor of this anarchist time, Gothicus died from the plague in 270 CE and was deified after his death. &#13;
</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="4294">
                <text>Gift of James and Aneta McIntyre, Hallie Ford Museum of Art, Salem, OR. 2006.010.036&#13;
</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4295">
                <text>ca. 268-270 CE</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4296">
                <text>Hallie Ford Museum of Art</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="4297">
                <text>0.722 in&#13;
0.120 oz</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4298">
                <text>Latin</text>
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          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
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              <elementText elementTextId="4299">
                <text>Coin</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="4300">
                <text>This item can be viewed on Hallie Ford Museum of Art's website.</text>
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          </element>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="5519">
                  <text>Ancient Coins at the Hallie Ford Museum of Art</text>
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            </element>
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              <name>Subject</name>
              <description>The topic of the resource</description>
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                <elementText elementTextId="5520">
                  <text>The entire collection of coins found at Hallie Ford Museum of Arts.</text>
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              <description>An account of the resource</description>
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                <elementText elementTextId="5521">
                  <text>A guide to the ancient coins collection at the Hallie Ford Museum of Art.    </text>
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              <name>Source</name>
              <description>A related resource from which the described resource is derived</description>
              <elementTextContainer>
                <elementText elementTextId="5522">
                  <text>Gifts of James and Aneta McIntyre&#13;
&#13;
Information about the coins was found in these resources:&#13;
&#13;
Cohen, Henry, René Cagnat, and James C. Egbert. Latin Epigraphy II: The Coin Inscriptions and Epigraphical Abbreviations of Imperial Rome. Chicago: Ares, 1978. Print.&#13;
&#13;
Hannestad, Niels. Roman Art and Imperial Policy. Århus C [Denmark: Aarhus UP, 1988. Print.&#13;
&#13;
Klawans, Zander H. An Outline of Ancient Greek Coins. Racine, WI: Whitman Pub., 1959. Print.&#13;
&#13;
Knorr, Ortwin. "Catalogue of the McIntyre Collection of Greek and Roman Coins." Classics: Ancient Coins in the HFMA. Willamette University, Hallie Ford Museum of Art, n.d. Web. 05 Aug. 2013. &lt;http://www.willamette.edu/cla/classics/resources/hfma/coins.html&gt;.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting II: Numismatic Art of the Greek World. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting III: The Roman World-politics and Propaganda. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sear, David R. Roman Coins and Their Values: The Millennium Edition. London: Spink, 2000. Print.&#13;
&#13;
Whitting, Philip D. Byzantine Coins. New York: Putnam, 1973. Print.</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5524">
                  <text>Hallie Ford Museum of Art</text>
                </elementText>
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            </element>
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              <description>The nature or genre of the resource</description>
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                  <text>Ancient Coins</text>
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            </element>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>A selection of these coins are on view in the Mark and Janeth Sponenburgh Gallery at Hallie Ford Museum of Art.  </text>
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    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
    </itemType>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Trajan, Bronze Dupondius</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Trajan, Bronze Dupondius. 98-117 CE. &#13;
OBVERSE: IMP CAES NERVAE TRAIANO AVG GER DAC PM TRP COS V PP (Imperator Caesar Nerva Traianus Augustus Germanicus Dacicus, Pontifex Maximus, Tribunician Power,  Consul for the 5th time, Pater Patria), radiated bust faces right. &#13;
REVERSE: SPQR OPTIMO PRINCIPI S-C (Senatus Populusque Romanus “the senate and people of Rome,” to the best of princes, Senatus Consulto “by decree of the senate”), Pax standing left, cornucopia in left, with right setting on fire pile of Dacian arms.</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>&lt;p&gt;Trajan is and was one of the most celebrated Roman emperors. He was an excellent warrior and his execution of stately affairs was fair, efficient, and sensitive to the republican roots of the city. In court ceremonies of the late empire, emperors were greeted with the cry of “&lt;em&gt;felicior Augusto, melior Traiano&lt;/em&gt;” (be happier than Augustus, better than Trajan). &lt;br /&gt;&lt;br /&gt; One of Trajan’s most famous military victories was conquering the land of Dacia (modern day Romania). That victory was celebrated with many building projects around Rome, most famously the column of Trajan and The Forum of Trajan. There were several coins issued that featured the column or other aspects of his victory; here we see Pax, the goddess of peace, setting fire to a pile of Dacian arms. With the fire in one hand and a cornucopia in the other, Pax represents both the military victory and rich spoils that came from the war. Trajan is said to have brought back at least 5 million pounds of gold and 10 millions pounds of silver.&lt;/p&gt;
&lt;p&gt;SC is common on many coins. The term &lt;em&gt;senatus consulto &lt;/em&gt;means “by decree of the senate.” This stamp meant the value of the coin was verified by the Roman senate. &lt;/p&gt;</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="5250">
                <text>Gift of James and Aneta McIntyre, Hallie Ford Museum of Art, Salem, OR. 2006.010.035&#13;
</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="5251">
                <text>ca. 98-117 CE</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5252">
                <text>Hallie Ford Museum of Arts</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="5253">
                <text>1.096 in&#13;
0.535 oz</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5254">
                <text>Latin</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Coin</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="5256">
                <text>This item can be viewed on Hallie Ford Museum of Art's website.</text>
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                  <text>Gifts of James and Aneta McIntyre&#13;
&#13;
Information about the coins was found in these resources:&#13;
&#13;
Cohen, Henry, René Cagnat, and James C. Egbert. Latin Epigraphy II: The Coin Inscriptions and Epigraphical Abbreviations of Imperial Rome. Chicago: Ares, 1978. Print.&#13;
&#13;
Hannestad, Niels. Roman Art and Imperial Policy. Århus C [Denmark: Aarhus UP, 1988. Print.&#13;
&#13;
Klawans, Zander H. An Outline of Ancient Greek Coins. Racine, WI: Whitman Pub., 1959. Print.&#13;
&#13;
Knorr, Ortwin. "Catalogue of the McIntyre Collection of Greek and Roman Coins." Classics: Ancient Coins in the HFMA. Willamette University, Hallie Ford Museum of Art, n.d. Web. 05 Aug. 2013. &lt;http://www.willamette.edu/cla/classics/resources/hfma/coins.html&gt;.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting II: Numismatic Art of the Greek World. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting III: The Roman World-politics and Propaganda. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sear, David R. Roman Coins and Their Values: The Millennium Edition. London: Spink, 2000. Print.&#13;
&#13;
Whitting, Philip D. Byzantine Coins. New York: Putnam, 1973. Print.</text>
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                  <text>Hallie Ford Museum of Art</text>
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                  <text>A selection of these coins are on view in the Mark and Janeth Sponenburgh Gallery at Hallie Ford Museum of Art.  </text>
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                <text>Antoninus Pius, Silver Denarius</text>
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                <text>Antoninus Pius (138 - 161 CE) AR Denarius. Rome. 140 AD. &#13;
OBVERSE: ANTONINVS AVG PIVS PP (Antoninus Augustus Pius, pater patriae, or father of the country), laurelled head facing right. &#13;
REVERSE: TR POT COS III (Tribunician power, consul for the 3rd time). There is a she-wolf standing, facing right in a cave. Romulus and Remus are suckling beneath her.</text>
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                <text>Antoninus Pius was the longest reigning emperor since Augustus, taking power in 138 CE, after being adopted by Hadrian, and reigning relatively peacefully until his death in 161 CE. He was a largely successful emperor whose reign was celebrated by contemporaries and later scholars. &#13;
&#13;
During the era in which Antoninus Pius had been consul for a third, but not yet fourth time, he released a group of coins that illustrated mythological themes, a largely unprecedented subject for imperial coinage. Found on the coins were images of a wolf suckling Romulus and Remus (as seen here), Mars and Rhea Silvia, Romulus by himself, a sow suckling eight piglets, and Aeneas with his son and father leaving Troy.&#13;
&#13;
The inspiration for this minting of coins is under debate. They seem to be anticipating his decennial, or tenth anniversary of his reign; though, historically, the images are associated with the 900-year anniversary of Rome itself. They may have been inspired by a renewed interest in the foundations of Rome by the completion of the temple of Roma and Venus.</text>
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                <text>Gift of James and Aneta McIntyre, Hallie Ford Museum of Art, Salem, OR. 2006.010.034&#13;
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                <text>Hallie Ford Museum of Art&#13;
</text>
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0.125 oz</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>This item is on view at Hallie Ford Museum of Art, in the Mark and Janeth Sponenburgh Gallery.</text>
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                  <text>Gifts of James and Aneta McIntyre&#13;
&#13;
Information about the coins was found in these resources:&#13;
&#13;
Cohen, Henry, René Cagnat, and James C. Egbert. Latin Epigraphy II: The Coin Inscriptions and Epigraphical Abbreviations of Imperial Rome. Chicago: Ares, 1978. Print.&#13;
&#13;
Hannestad, Niels. Roman Art and Imperial Policy. Århus C [Denmark: Aarhus UP, 1988. Print.&#13;
&#13;
Klawans, Zander H. An Outline of Ancient Greek Coins. Racine, WI: Whitman Pub., 1959. Print.&#13;
&#13;
Knorr, Ortwin. "Catalogue of the McIntyre Collection of Greek and Roman Coins." Classics: Ancient Coins in the HFMA. Willamette University, Hallie Ford Museum of Art, n.d. Web. 05 Aug. 2013. &lt;http://www.willamette.edu/cla/classics/resources/hfma/coins.html&gt;.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting II: Numismatic Art of the Greek World. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sayles, Wayne G. Ancient Coin Collecting III: The Roman World-politics and Propaganda. Iola, WI: Krause Publications, 1997. Print.&#13;
&#13;
Sear, David R. Roman Coins and Their Values: The Millennium Edition. London: Spink, 2000. Print.&#13;
&#13;
Whitting, Philip D. Byzantine Coins. New York: Putnam, 1973. Print.</text>
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                <text>Vitellius, Silver Denarius</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Vitellius, Silver Denarius. Rome, AD 69. &#13;
OBVERSE: A VITELLIVS GERM IMP AUG TRP (Aulus Vitellius Germanicus Augustus, tribunician power). The laurelled head of Vitellius facing right. &#13;
REVERSE: CONCORDIA PR (Goddess of Peace, Princeps), Concordia seated left, holding patera and cornucopia. &#13;
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            <description>An account of the resource</description>
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                <text>The year of 69 CE was a turbulent one for the Roman Empire. With Nero committing suicide in 68 CE and no successors in place, the door was open once again to civil war within Rome. First to succeed to the throne was Galba who quickly lost power to Otho. Vitellius then challenged Otho in a series of military battles and won after only three short months of Otho’s reign. Suetonius (Suet. Vitell. c 13) reports that Vitellius was notoriously gluttonous and his excess led the empire into dangerous financial straights. Vespasian, hearing of this problem, was persuaded to take up arms against Vitellius. Vitellius was captured not long after by Vespasian’s soldier and was ignominiously executed on the Gemonian stairs. &#13;
&#13;
Concordia is an ironic choice for an emperor whose relatively short reign was almost constantly under attack. &#13;
Princeps is a word that can be translated to something like “first citizen.” It referred to the role the emperor took as leader of the empire and leader of the military. This title was taken by almost every emperor. &#13;
</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Gift of James and Aneta McIntyre, Hallie Ford Museum of Art, Salem, OR. 2006.010.033</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Hallie Ford Museum of Arts</text>
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                <text>0.734  in&#13;
0.115 oz</text>
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            <name>Language</name>
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                <text>This item can be viewed on Hallie Ford Museum of Art's website.</text>
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