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                <text>Don Haas 1-11-58 The first of many portraits, this is the first image in the sketchbook after Parsons' return from her trip to the East Coast. It is indicative of a change in subject from the grandiose cityscapes that dominate the rest of the pages of this sketchbook, to highly personal portraits and scenes of the artist's daily life with her family and friends. </text>
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                <text>No location or date, likely Washington, D.C. By far the most detailed landscape in this sketchbook, this image can be seen as a turning point in two distinct ways. Firstly, the attention to the specific details and the naturalism of the scene becomes much more typical in the rest of the sketchbook as well as in the other sketchbooks. Secondly, there are characters going about their daily life comprising an entire scene capturing a moment in time from real life. This is in opposition to the way that Parsons had previously made landscapes that were simply studies of what she saw before her. The amount of detail shown in this image shows a desire to capture a narrative that remains elusive to the viewer, but that is a 'slice of life' from the artist's perspective. </text>
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                <text>No location or date, possibly Philadelphia or Washington D.C. This landscape seems a return to her more typical landscape style but utilizes a strange type of perspective. It seems that the landscape is made with the viewer at a higher than ground position, or with the main road back to the tall object being especially elongated. In either case, this is an example of Parsons exercising her creative license through small alterations. </text>
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                <text>Philadelphia 11-27-57. This landscape was made towards the end of Parsons' trip to the East Coast. It shows a slight shift away from her more strictly naturalistic tendencies from earlier landscapes, and instead, demonstrates her interpreting what she sees into a new image. &#13;
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                <text>Grand Island, Nebraska, 11-13-57 This page shows the studious nature that characterizes this sketchbook. Parsons is not only sketching her surroundings but also making a note of the basic elements that compose her surroundings as an image being viewed. Her notes on the colors that she sees, as well as the composition, become further dilated when she begins looking at artworks rather than landscapes. Reads, "Lovely bricks to left predominantly gray with pink shadowing thru. Middle mainly overall terra cotes - foreground bright than Venetian red- almost salmon. Central fire escape to (illegible) - Bldg to left white - Good black accents."</text>
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