1 10 29 http://library.willamette.edu/archives/omeka/files/original/0ce8f38c1eea930a16c24a5aa991d977.jpg 0a5d340198ee26023b3c1401b749acfd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eunice Parsons Papers Subject The topic of the resource Eunice Parsons Creator An entity primarily responsible for making the resource McKelvey Mandigo-Stoba Source A related resource from which the described resource is derived Willamette University Archives and Special Collections, Eunice Parsons Papers Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8.5" x 10.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sketchbook 3, Image 8 Subject The topic of the resource This image is from Parsons' time abroad in Venice. It adopts a style that is a mix of her later genre scenes, such as the ship in port at the beginning of this sketchbook and her landscapes from the first sketchbook. This is likely a result of Parsons using her sketches as a form of a diary or as documenting the places that she visits. It is set apart from earlier sketches as the focus has shifted from depicting all elements with equal fidelity to selectively making the most impactful elements naturalistic while letting the other elements blend together. Creator An entity primarily responsible for making the resource Eunice Parsons Source A related resource from which the described resource is derived Eunice Parsons Papers Date A point or period of time associated with an event in the lifecycle of the resource 1960-1965 http://library.willamette.edu/archives/omeka/files/original/7611af31ce6490788812647554cc85bf.jpg 90957e3bc174422654bae423fb2478fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eunice Parsons Papers Subject The topic of the resource Eunice Parsons Creator An entity primarily responsible for making the resource McKelvey Mandigo-Stoba Source A related resource from which the described resource is derived Willamette University Archives and Special Collections, Eunice Parsons Papers Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8.5"x10.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sketchbook 3, Image 9 Subject The topic of the resource It is difficult to discern if these characters were drawn from life, or if they are purely made up from Parsons' imagination. However, in either case, it seems that Parsons has taken the liberty of altering the figures to fit a visual agenda of nonchalance. These characters, even if they were created from real models, are representations of characters that are unimpressed. The true focus of this sketch is the metarepresentation of the key visual codes required to represent emotion, which classifies them as simulacra. This distinction is important as Parsons' collages focus on the creation and manipulation of simulacra. By taking from previously created images and reconstructing them to have a different meaning, collage is necessarily an art form predicated upon the redefining of visual systems into new and vibrant systems in dialogue with personal style. Creator An entity primarily responsible for making the resource Eunice Parsons Source A related resource from which the described resource is derived Eunice Parsons Papers Date A point or period of time associated with an event in the lifecycle of the resource 1960-1965 http://library.willamette.edu/archives/omeka/files/original/ced5907552e7ec74f96a8af2bba40d5d.jpg fe0015e89ce06e2a3931387001f48d1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eunice Parsons Papers Subject The topic of the resource Eunice Parsons Creator An entity primarily responsible for making the resource McKelvey Mandigo-Stoba Source A related resource from which the described resource is derived Willamette University Archives and Special Collections, Eunice Parsons Papers Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8.5" x 10.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sketchbook 3, Image 10 Subject The topic of the resource This sketch articulates a trend in the later images of this sketchbook where Parsons is moving away from naturalistic characters towards those that are more uniquely expressive. This can be seen as a product of the varying interactions between lines. She creates systems which are close enough to that of recognizable human features that the viewer is able to empathize with the figure while being abstracted enough to have an unsettling quality. In this way, Parsons is experimenting with the creation of simulacrum. She is representing not a figure from life but is creating a visual system that portrays the visual codes which signify sorrow or sadness. Through engaging in the metarepresentation where visual codes of emotion are recreated as their own images, Parsons is beginning to explore the ideologies that are seminal to collage. Creator An entity primarily responsible for making the resource Eunice Parsons Source A related resource from which the described resource is derived Eunice Parsons Papers Date A point or period of time associated with an event in the lifecycle of the resource 1960-1965 http://library.willamette.edu/archives/omeka/files/original/bd29ab196ad6039acfdd98f38247786f.jpg 6d8a8c01f32829168946b4ecf86a8919 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eunice Parsons Papers Subject The topic of the resource Eunice Parsons Creator An entity primarily responsible for making the resource McKelvey Mandigo-Stoba Source A related resource from which the described resource is derived Willamette University Archives and Special Collections, Eunice Parsons Papers Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8.5" x 10.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sketchbook 3, Image 7 Subject The topic of the resource In line with the previous image, this image expands upon the same concept. The usage of multiple materials within one image for the purpose of creating a full composition becomes the whole concept behind collage. In the case of this image specifically, Parsons lays a groundwork with the brick red sketch and then creates a more rapidly sketched set of accent lines around the basic form of the bear. This both highlights the form of the bear as well as giving it a greater expressive quality. Creator An entity primarily responsible for making the resource Eunice Parsons Source A related resource from which the described resource is derived Eunice Parsons Papers Date A point or period of time associated with an event in the lifecycle of the resource 1960-1965 http://library.willamette.edu/archives/omeka/files/original/ad084906fe396e89544992a4f12b3bb9.jpg 2af96fc52bf75e3aad45359fa0e1c560 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eunice Parsons Papers Subject The topic of the resource Eunice Parsons Creator An entity primarily responsible for making the resource McKelvey Mandigo-Stoba Source A related resource from which the described resource is derived Willamette University Archives and Special Collections, Eunice Parsons Papers Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8.5" x 10.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sketchbook 3, Image 6 Subject The topic of the resource This image points to a different trend than the previous images. Rather than examine ways to distil down an image, here Parsons is experimenting with ways to build up images through different materials in one composition. The mentality behind putting together different mediums in one composition can potentially be traced into later collages by Parsons, however, there are still several years before Parsons' first professional collage. Creator An entity primarily responsible for making the resource Eunice Parsons Source A related resource from which the described resource is derived Eunice Parsons Papers Date A point or period of time associated with an event in the lifecycle of the resource 1960-1965 http://library.willamette.edu/archives/omeka/files/original/3a091fa1c64bafea9acc227c6833683f.jpg 3fd0b2a8c0f9f507c311037e364dc757 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eunice Parsons Papers Subject The topic of the resource Eunice Parsons Creator An entity primarily responsible for making the resource McKelvey Mandigo-Stoba Source A related resource from which the described resource is derived Willamette University Archives and Special Collections, Eunice Parsons Papers Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8.5" x 10.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sketchbook 3, Image 5 Subject The topic of the resource As an extension of the theme from the previous image, this scene creates movement with the usage of several well-controlled lines. In this image, Parsons is able to isolate the most expressive and explosive elements that are necessary to the composition while also stripping away the excess. This leaves the composition with only the most powerful elements, resulting in a system of necessary parts that are working perfectly together. Creator An entity primarily responsible for making the resource Eunice Parsons Source A related resource from which the described resource is derived Eunice Parsons Papers Date A point or period of time associated with an event in the lifecycle of the resource 1960-1965 http://library.willamette.edu/archives/omeka/files/original/7093e0fa005725224392e50aa3e7107a.jpg 1c1def457a10a05c0d7be06e1f5c4034 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eunice Parsons Papers Subject The topic of the resource Eunice Parsons Creator An entity primarily responsible for making the resource McKelvey Mandigo-Stoba Source A related resource from which the described resource is derived Willamette University Archives and Special Collections, Eunice Parsons Papers Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8.5" x 10.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sketchbook 3, Image 4 Subject The topic of the resource This image is part of a larger series within the sketchbook of several characters in anachronistic dress that are dancing. While this series does focus on the theme of expressiveness from the selective usage of line, it also focuses on the element of movement. The series and this image, in particular, create characters that seem to be floating through the composition. This is the second of the major themes investigated by Parsons in this sketchbook. The creation of movement and momentum within an image can be some of the most challenging, yet evocative, elements that give life to a composition. Creator An entity primarily responsible for making the resource Eunice Parsons Source A related resource from which the described resource is derived Eunice Parsons Papers Date A point or period of time associated with an event in the lifecycle of the resource 1960-1965 http://library.willamette.edu/archives/omeka/files/original/f9ae0618af1e1e2ac04c565b81268b3c.jpg 8af38d3833a7f332f387e7b26e5ebe38 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eunice Parsons Papers Subject The topic of the resource Eunice Parsons Creator An entity primarily responsible for making the resource McKelvey Mandigo-Stoba Source A related resource from which the described resource is derived Willamette University Archives and Special Collections, Eunice Parsons Papers Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8.5" x 10.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sketchbook 3, Image 3 Subject The topic of the resource In this sketchbook, Parsons seems to adopt a style that is more distilled and focused. As an example of this tendency, this image is constructed of a selective few lines with three distinct colors. Through these selective elements, Parsons is able to create an image that is at the same time evocative and condensed. Each figure has an accessible emotional posture, but none of them seem to take up an excessive amount of space. In this way, the image is made as emotional as possible, while not being too overwhelming from a structural standpoint. Description An account of the resource 8.5" x 10.5" Creator An entity primarily responsible for making the resource Eunice Parsons Source A related resource from which the described resource is derived Eunice Parsons Papers Date A point or period of time associated with an event in the lifecycle of the resource 1960-1965 http://library.willamette.edu/archives/omeka/files/original/011cf079b8a1ca34666632bb4ca7be26.jpg 1cafefec4ad56feef05d62b273130e8d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eunice Parsons Papers Subject The topic of the resource Eunice Parsons Creator An entity primarily responsible for making the resource McKelvey Mandigo-Stoba Source A related resource from which the described resource is derived Willamette University Archives and Special Collections, Eunice Parsons Papers Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8.5" x 10.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sketchbook 3, Image 2 Subject The topic of the resource This portrait seems to generally be within the stylistic tendencies of Parsons. However, the quality of the character is enhanced by the specific lines that Parsons has chosen to render the figure. Compared to other portraits this one is slightly more reserved. It is not as rapidly sketched as other portraits and seems to reflect the overarching trend of Parsons selecting the essential elements of an image to reveal a more expressive nature. Creator An entity primarily responsible for making the resource Eunice Parsons Source A related resource from which the described resource is derived Eunice Parsons Papers Date A point or period of time associated with an event in the lifecycle of the resource 1960-1965 http://library.willamette.edu/archives/omeka/files/original/e1d95f612ae084b5cc8db534627d21f5.jpg e3c704b9453a5729fd3eaab352cae317 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eunice Parsons Papers Subject The topic of the resource Eunice Parsons Creator An entity primarily responsible for making the resource McKelvey Mandigo-Stoba Source A related resource from which the described resource is derived Willamette University Archives and Special Collections, Eunice Parsons Papers Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 8.5" x 10.5" Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sketchbook 3, Image 1 Subject The topic of the resource Upon first glance, this sketch seems to be the same as any other landscape that Parsons has created. However, in fact, it is a different kind of scene entirely. It is a genre scene of a ship in port, likely in Portland, that is in the process of loading. In the first sketchbook Parsons has several scenes of ships in port, however, none of these images included the crew of the ships. This image is unique in the sense that it captures the feeling of the toil of the crew. The expressiveness is then highlighted by the usage of color upon the chimney where the name of the company is placed. This emphasizes the focus of the image upon the expressive nature of one element, namely the workers, within a composition. Creator An entity primarily responsible for making the resource Eunice Parsons Source A related resource from which the described resource is derived Eunice Parsons Papers Date A point or period of time associated with an event in the lifecycle of the resource 1960-1965