New Interface to the Library Catalog

This summer we will be transitioning to a new user interface for the library catalog. We will be transitioning to this new interface in late July 2017.

Designed with the user experience in mind, the interface from ExLibris should be more intuitive and make finding resources easier. As we make this transition, let us know if you have any comments or questions about the new catalog. Feel free to use this form to send us your comments.


Thank you to the Circulation Desk Student Employees

At the Hatfield Library, Circulation Desk student employees are integral to daily operations. Student employees open and close the library, check items in and out, reshelve library materials, ensure items are in correct order, perform building walkthroughs, troubleshoot a variety of technology issues including printer problems, and most importantly, assist any person in the library who needs help. They have answered their fair share of unusual questions and spearheaded or assisted with many different library-related projects. We want to say thank you to all our student employees for their dedication and hard work during the last academic year.

And we would like to say a special thanks and goodbye to our ten graduating seniors:

Maya Jaramillo
Kaitlen McPherson
Rachel Carstensen
Kelly Jones
Isabel Seiden
Sidney Gallardo
Alexander Tripp
Bridget Wulfing
Hiromi Homma
Susana Hernandez

We are particularly grateful to Maya and Kaitlen, who have been working at the Circulation Desk since the beginning of their first year. They have worked hundreds of hours and helped countless people in the library…thanks so much for everything!

Maya Jaramillo

Kaitlen McPherson

 

 

 

 


Finals Week Extended Study Hours

During finals week, the Hatfield Library is open extra hours to help students studying for finals exams. A reference librarian is available for research help until 5 p.m., and we will begin putting out cookies and coffee the first night before Finals until they run out after 10 p.m. if you need a brain food break! Don’t forget the printer in the 24-hour Fish Bowl.
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  • Thurs, May 4: 7 a.m. – 3 a.m.
  • Fri, May 5: 7 a.m. – 3 a.m.
  • Sat, May 6: 7 a.m. – 3 a.m.
  • Sun, May 7: 7 a.m. – 3 a.m.
  • Mon, May 8: 7 a.m. – 3 a.m.
  • Tues, May 9: 7 a.m. – 3 a.m.
  • Wed, May 10: 8 a.m. – 5 p.m.
  • Thur, May 11: 8 a.m. – 5 p.m.
  • Fri, May 12:  8 a.m. – 5 p.m.
  • Sat, May 13:  Noon – 4 p.m.
  • Sun, May 14:  10 a.m. – 3 p.m.
  • Mon, May 16:  Summer Schedule begins: Mon. through Fri., 8 a.m. – 4:30 p.m.  CLOSED Saturday, Sunday and holidays.

Faculty Colloquium: Radical or Conventional Relationships

Dear Colleagues,

Please join us this Friday, March 3rd at 3 pm. in the Hatfield Room for our fifth Faculty Colloquium of this semester. Treats will be provided.

Huike Wen, Associate Professor of Chinese and Women and Gender Studies

Title: Radical or Conventional–Portrayal in Chinese Media of the Relationship between an Older Woman and a Younger Man

Huike Wen

The opinion that a husband should be a few years older than his wife is commonly accepted, although it is not rigid in reality and there are stories that tell otherwise in different cultures. The belief is supported by biological, sociological, economics, and psychological studies and by individuals’ reflections on experiences.

Contrary to the belief, in China, recently the romantic relationship between an older woman and a younger man has been a popular topic in the Chinese media landscape. Despite the increase in the number of such marriages and media attention on the older woman–younger man relationship, very little serious and in-depth academic work has focused on this relationship. As a myth, this type of relationship is basically represented as something new, modern, and radical, engaged in by many celebrities as well as creating media celebrities out of some ordinary people. The media portrayals seem to add another alternative in the discourse of heterosexual relationships, especially conventional heterosexual marriage. Focusing on recent popular Chinese television dramas, I examine how the media portrayals signal and celebrate a new form of relationship and marriage, yet still strongly reinforce the male-dominant status in romantic relationships.

We look forward to seeing you there.

Doreen Simonsen and Daniel Rouslin
Faculty Colloquium Coordinators


Faculty Colloquium: An Interactive Introduction to Knot Theory

Dear Colleagues,

Please join us this Friday, February 24th at 3 pm. in the EATON 425 for our fourth Faculty Colloquium of this semester. (Please note the change in location) Treats will be provided.

Inga Johnson, Professor of Mathematics

Title: An Interactive Introduction to Knot Theory

As part of my last sabbatical, my collaborator, Allison Henrich, and I completed our book An Interactive Introduction to Knot Theory (published by Dover, January 2017). Our text is unique not because of the mathematics that it contains, but rather due to the pedagogy it employs. We have designed the book to be used in an inquiry-based setting where students independently figure out, derive, and create many of the major results of knot theory while using our book as a guide. The book contains definitions, exercises, and statements of theorems, but the proofs and arguments that underlie the theory are left for readers to develop as they progress through the text. This active-learning pedagogy places the students ideas and arguments as the centerpiece of the course. As a result, class meetings include little to no lecture but are instead filled with student presentations followed by a process of questions and vetting by their peers.

In my talk I will discuss the following questions: what is the difference between math research and writing a mathematical book? How does an inquiry-based course compare to a “traditional” mathematics course? What goes into planning and managing an inquiry-based course, and how does one create inquiry-based activities? What is knot theory, and why is it a good topic for inquiry-based pedagogy? I will also discuss current research on student outcomes when inquiry-based methods are used and how those outcomes compare to non-inquiry-based courses.

We look forward to seeing you there.

Doreen Simonsen and Daniel Rouslin
Faculty Colloquium Coordinators


Faculty Colloquium: Prosody and Time in Musical Settings of Emily Dickinson

Dear Colleagues,

Please join us this Friday, February 10th at 3 pm. in the Hatfield Room for our third Faculty Colloquium of this semester. Treats will be provided.

Marva Duerksen, Associate Professor of Music, Women’s & Gender Studies

Title: Prosody and Time in Musical Settings of Emily Dickinson

Musical settings of Emily Dickinson’s poems—some 3,000 by one collector’s reckoning—comprise a core component of the American art-song repertory and a sustained and wide-ranging constituent of her reception. That said, a mutually insightful conversation between musical and literary scholarly communities lies largely untapped, most especially in that facet of Dickinson’s poems that she herself highlights conspicuously and that constitutes a shared concern in both poetry and music: prosody, and its companion, time.

Several questions arise: how can literary prosodic method inform analysis of musical settings of her works? And, what insights can composers offer the literary community as they interpret the poet’s rhythmic and metric designs? More specifically, how do composers execute in music signal elements of Dickinson’s prosody—the familiar “dash,” a startling approach to rhyme, disruptions of conventional grammar, and idiosyncratic lineation? Then, how do composers’ renderings of such features through specially tempered rhythmic pacing, multi-layered rhythmic designs, and heterogeneous musical vocabularies in turn impact our comprehension of the disruptions endemic to her work? Finally, how can these analyses inform the categories of time—diachronic and synchronic—vital to Dickinson’s poetic project? Exploring these questions through literary models and musical settings by composers Ernst Bacon, Vincent Persichetti, and Niccoló Castiglioni provides a starting point for the dialogue proposed here.

Please feel free to invite students to attend this talk.

We look forward to seeing you there.

Doreen Simonsen and Daniel Rouslin
Faculty Colloquium Coordinators


Finals Week: Extended Study Hours

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The Hatfield Library is now providing extended hours for final exams. Also, don’t forget about the free cookies and coffee provided by the library…usually the cookies are made available after 10 p.m. starting on Sunday, Dec. 11th until they run out.

These are the hours for the end of the term:

Monday, Dec. 4 – Thursday, Dec. 7 — 7:45 a.m. – 3 a.m.
Friday, Dec. 8 — 7:45 a.m. – 1 a.m.
Saturday, Dec. 9 — 9 a.m. – 1 a.m.
Sunday, Dec. 10 — 9 a.m. – 3 a.m.
Monday, Dec. 11 – Friday, Dec. 15 — 7 a.m. – 3 a.m.
Saturday, Dec. 16 — 7 a.m. – 7 p.m.
Sunday, Dec. 17 — CLOSED

Winter break begins on Monday, Dec. 18. During the break, the library will be open Monday-Friday from 8 a.m. to 5 p.m. and closed on the weekends. Also, the library (and the rest of campus) will be closed from Dec. 22 through Jan. 2. Regular hours resume on Jan. 16.


Faculty Colloquium: Alexander Rocklin

Dear Colleagues,

Please join us this week, Friday, December 9th at 3 pm. in the Library Instruction Room for final Faculty Colloquium of this semester. (Rescheduled from original date of November 11th.) Treats will be provided.

Alexander Rocklin, Visiting Assistant Professor of Religious Studies

Title: Race, Religion, and the Magic of Secularism in Antebellum AmericaAlexander Rocklin

Come meet the Fakir of Ava, the unrivaled magician and necromancer who will perform scientific illustrations showing through practical experiments the impositions of the Pagan Priesthood ancient and modern! Taking as my example the magician the Fakir of Ava, this talk examines the mid-19th century spectacle of stage-magic performances as a mode of popular secularism in the United States. If we understand secularism not simply as an inevitable political project but what John Modern calls a “conceptual environment” that makes the category religion a self-evident way of dividing up the world, this paper examines one mode through which the religious and the not-religious were naturalized for Americans. Taking religion and race as defined together, I will also analyze the ways in which popular secularism created particular racial-religious hierarchies that drew on and connected Americas to broader trends in colonial knowledge production across the globe. Prepare to be Amazed (or at least educated)!

Please feel free to invite students to attend this talk.

We look forward to seeing you there.

Doreen Simonsen and Daniel Rouslin
Faculty Colloquium Coordinators


Thanksgiving Break Hours

pumpkin-clock
The Hatfield Library has special hours during Thanksgiving break.

Fri, Nov. 18     7:45 a.m. – 5 p.m.
Sat – Sun, Nov. 19 – 20     CLOSED
Mon – Tue, Nov. 21-22     8 a.m. – 5 p.m.
Wed, Nov. 23     8 a.m. – 3 p.m.
Thur – Sat, Nov. 24 – 26     CLOSED
Sun, Nov. 27   1 p.m. – 2 a.m.

Normal building hours resume Monday, November 28.  The Hatfield Library staff wish the Willamette Community a most wonderful and safe Thanksgiving Break!


Hallie Ford Literary Series: New Voices Showcase

Please join us on Wednesday, November 9 for the final event of the Fall 2016 Hallie Ford Literary Series at Willamette, a New Voices Showcase featuring readings by debut fiction writers Margaret Malone and Sara Jaffe. The reading will take place in the Hatfield Room of Willamette’s library at 5 p.m. and is free and open to the public. Books will be for sale courtesy of the Willamette Store.

Margaret Malone is the author of the story collection People Like You, winner of the Balcones Fiction Prize and a finalist for the PEN Hemingway Award. Her writing has appeared in The Missouri Review, Oregon Humanities, Propeller Quarterly, Coal City Review, Swink, latimes.com, and elsewhere. margaret-maloneShe is a graduate of Humboldt State University with a B.A. in Philosophy and now lives in Portland, Oregon. Margaret has been a volunteer facilitator with the non-profit Write Around Portland and is a co-host of the artist and literary gathering SHARE. She is the recipient of an Oregon Arts Commission Individual Artist Fellowship, two Regional Arts & Culture Council Project Grants and an Oregon Literary Fellowship.

Read Margaret’s story “The Only One” here: http://www.propellermag.com/March2015/MaloneFictionMarch15.html

Sara Jaffe is a fiction writer whose first novel, Dryland, was published by Tin House Books in September 2015. Her short fiction and criticism have appeared in a variety of publications, including Fence, BOMB, NOON, Paul Revere’s Horse, matchbook, and The Los Angeles Review of Books. She co-edited The Art of Touring (Yeti, 2009), an anthology of writing and visual art by musicians drawing on her experience as guitarist for post-punk band Erase Errata. sara-jaffeSara holds a BA from Wesleyan University and an MFA from the University of Massachusetts Amherst, and has received fellowships from the Virginia Center for the Creative Arts, RADAR Productions, and the Regional Arts and Culture Council. She is also co-founding editor of New Herring Press, a publisher of prose chapbooks.

Read Sara’s story “Stormchasers” here: http://bombmagazine.org/article/10066/stormchasers

For more information, contact:
Scott Nadelson, Hallie Ford Chair in Writing
Willamette University
snadelso@willamette.edu
503-370-6290